Tuesday, November 18, 2008

Obama's Education Policy


If anyone finds any credible counterpoints to the sources below let me know.

Story Map & Summarizing A Story



These two graphic organizers were used in class to help students learn about how the elements of a plot work together to form a story. Below are two organizers I've done based on the story "The Pact," written by "Janet", a teenager from Florida. Click on the images to make them larger.

11/13 Revision: Editing & Proofreading Symbols



PLOT MAP


SUMMARIZING THE PLOT
Introduction/Exposition: Beginning of the story, the reader is introduced to the character, the setting
Conflict: When the reader discovers the plot or the main problem the main character(s) must face.
Rising Action: Events that logically build to the climax.
Climax: The height of the action in the story.
Falling Action: The action winds down.
Resolution/Denouement: The ending of the story.

11/12 Structure of a Narrative: Parts of a Good Story

PLOT
  • Events
  • Actions/Sequence of events/storyline
  • Conflict or Problem
  • Problem Solved
  • Strong beginning and ending

SETTING
  • Time
  • Place/Geographic location
  • Details convey mood
  • Historical Period
  • Culture
  • Where the conflict happens
  • helps to set the mood

CHARACTERS
  • Dynamic (major/primary) and static (minor/secondary) characters
  • Strong Traits
  • Strong dialogue
  • Described w/ and show great detail
  • helps to set the mood
  • personality/strong emotions, help drive action

THEME
  • Meaning of the story
  • Moral, lesson, message the author wants to convey to the reader
  • Can help to convey the overall mood of the piece
  • lesson, moral or message the author wants the reader to know

11/12 Structure of A Narrative

OBJECTIVE
Students will learn the structure of a good story in order to continue practicing new strategies to revise and edit their writing.

THE TEN-SENTENCE STORY

  1. Create a new notebook entry in your Writers Notebook called: The Ten-Sentence Story.
  2. Choose one of the topics:
    The scary room
    My first go-go
    The lost and found
    Escape from captivity
    The break up
    The make up
  3. OK, so now you’ve selected one of the topics. Now, tell a story in 10 sentences or less.
  4. You can combine ideas, but the story CAN ONLY BE TEN SENTENCES LONG.
  5. Though you are collaborating on the story, you must record the story in your own notebook.

SELF-CHECK
During and after your writing, ask yourself these questions:

  • Are the stories complete with a beginning, middle and end?
  • Do they have characters and settings?
  • Is there a plot? Does the story have a conflict/resolution or problem/solution?

Homework Update: 11/12-18

11/12 Structure of a Good Story
You have now written an autobiographical or fictional narrative (story) in first or third person. Now you’ll need to Revise and edit your piece so that it reflects a good plot, setting, characters, conflict, resolution and theme.
• Use the editing & proofreading guide given in class, revise and edit your work.
• Pay close attention to:
1.Words, phrases, ideas that don’t make sense or could be said better another way.
2.Spelling, grammar and punctuation errors.

11/13
1. Complete the Summarizing A Plot & Story Map worksheet.
2. Complete ONE box in the Revision & Editing/Proofing Checklist. Your peers will complete the other two boxes.
3. Re-edit your homework from last night based on what you checked and didn’t check on your checklist.
4. The quiz has been moved to next Wednesday in order for you to be fully prepared for the assessment.

11/14
1. Read for 30 minutes/day.
2. Make up any work you missed or did not do during the week so that you're able to type your story on the computer Monday.

11/17
No homework other than to review for the quiz and/or write your narrative.

11/18
Study for tomorrow's quiz.

Monday 11/17

All mods were in the computer lab typing second drafts of their narratives. When the students return from Thanksgiving Holiday, ask your child to show you their work. I've taken a look at many of them and they're turning out some incredible writing.

This week they're wrapping a lesson on theme, main idea, writing a good lead and peer reviews.

Wednesday, November 12, 2008

11/10 Pre-Writing Stage

I chose my topic by pulling a line from a writing entry in my Writers Notebook, "My History As A Writer." This was my first entry in the Writers Notebook. Students can pull their lines from any other entry they want. In this entry, I discussed how my mother taught me how to read and write and encouraged my writing.

The line I took was, "It was gray and covered in small, pink flowers." This was the description of my first journal, but this sentence is a telling sentence. A telling sentence just means that I'm telling you what's happening instead of showing you what's happening.

My first draft is below. As soon as I can get to a scanner, I'll post my process on the website. For now, though I'll show you my writing in the compose stage and the publish stage. I only have the publish stage with me at home so i'll post the compose stage tomorrow.

PUBLISHING
STAGE
It was gray and covered in small, pink flowers.

Unlike what my mother says, my favorite dress is not gray and covered in small, pink flowers. Ripped at the hem line running across the bottom of the dress and decorated with cherry-red Kool-Aid stains, that dress is boring and ugly. My favorite dress is a gown my father bought me for college graduation.

I felt very alone in graduate school. My roommate, a close friend I’ve known since the age of 3, was my closest friend in Boston. It was the first time I’d been away from Georgia to live on my own and I was homesick. I missed my favorite Thai restaurant. I missed running around with my brother and sister on the weekends. I missed shopping at my favorite thrift store, Value Village, with my grandmother. I missed the heat and humidity, hot against my skin. The people in Boston were different from the folks at home. In Georgia, people take the time to say “Hello” “Please” and “Thank You.” You smile at someone and they smile back. In Boston, people were startled when I said hello.

School was another matter. Though I respected my professors, and they me, the people in my program were, well, crazy. One had accused me of plagiarism and another said that my good grades came not from my own intellectual capacity but from the color of my skin. While it didn’t faze me, it certainly wore on my soul. My professors knew what I was capable of. Plus, why would I copy off someone who had two letter grades lower than me.

So, when graduation rolled around, after the baseless accusations, after the introverted New England ways, after a winter that beat me like a slave, I knew my family would be there. They’d seen me through all the other academic milestones in my life: The D I made in advanced geometry; my below-average freshman quarter in college when I almost lost my scholarship; standing up to an ignorant professor and a racist roommate; my undergraduate graduation.

My mom and brother came to Boston, but my dad wasn’t there. He made some excuse about taking care of my sister, who was completing her last semester of middle school, but graduation was on a weekend! Lame excuse. Since September 11, my dad doesn’t like planes and has made that clear. He sternly said one day, “I don’t like planes.” Another day, he told me that my decision to move to Boston. The choice was mine to make and mine to deal with. The dress? Maybe he felt guilty for what he said or maybe he was apologetic for not being able to travel. I sympathize. September 11 is a difficult moment for us all to grapple with in our personal histories.

I wanted a new dress for graduation. It was a designer dress from Barney’s, worth the cost of two roundtrip tickets from Atlanta to Boston made of chiffon and silk and perfect for the spring. The gown’s cream lines danced across the red background like cherry blossoms on a warm day and the gold braid around the waist give it a soft Grecian look. I never asked for it, but my mom told him how much I loved the dress. It was too cold to wear for graduation—the torrential rain, freezing weather and flooded stadium took care of that dream. As I looked at the dress hanging in my closet that day as I put on wellies, jeans and a warm sweater (or was it a turtleneck), I thought, “I’d rather have my dad here, than a frock.”

I love that dress because of what it means to me. That dress is a reflection of my time in Boston. It means strength and courage in the face of the impossible. It means calm in the place of crazy. It means the willingness to be an individual and not walk toward a crowd. It means my dad’s love is all sustaining, whether he has the courage to take a flight and see me take my first steps into womanhood or know that he’s raised a daughter who can do anything she wants. That means more than any degree.
OBJECTIVE
Students will learn the structure of a narrative in order to continue practicing new strategies to revise and edit their writing.

The Ten-Sentence Story Step 1
Create a new notebook entry in your Writers Notebook called: "The Ten-Sentence Story"

The Ten-Sentence Story Step 2
Choose a topic from the list below:
The scary room
My first go-go
The lost and found
Escape from captivity
The break up
The make up

The Ten-Sentence Story Step 3
  1. OK, so now you’ve selected one of the topics. Now, tell a story in 10 sentences or less.
  2. You can combine ideas, but the story CAN ONLY BE TEN SENTENCES LONG.
  3. Though you are collaborating on the story, you must record the story in your own notebook.
Share Out!
While your peers are sharing their answers, ask yourself and them:
  1. Are the stories complete with a beginning, middle and end?
  2. Do they have characters and settings?
  3. Is there a plot? Does the story have a conflict/resolution or problem/solution?

11/10 Stage One & Two of the Writing Process


OBJECTIVE
Students will review writing strategies introduced in the first 11 lessons in order to practice new strategies to revise and edit their writing.

What To Do When You Think You're Done
  1. Re-read your work and add more details.
  2. Re-read your work and zoom in on a moment.
  3. Re-read your work and find a telling sentence that could use more showing.
  4. Re-read your work and add a simile to a description.
  5. Add a setting to one of your notebook entries.
  6. Rewrite a notebook entry in the third person.
  7. Read your independent reading book to “borrow” ideas for writing.
  8. Think of a creative, innovative, brand spankin' new idea/topic for writing.
  9. Mimic an author’s writing technique:
    • Mimic a sentence pattern
    • Mimic a paragraph pattern
Instructions for beginning the Writing Process
  1. Return to your Writer’s Notebook. Look through your Table of Contents, Writing Explorations and Sentence Explorations sections.
  2. Highlight/mark the selection you would like to revise.
  3. Highlight/underline a “telling sentence” in your selection. A telling sentence is a sentence that tells, but does not show.
  • EXAMPLES Telling Example: He is smart. Showing Example: “When James made an A on his test, he shrugged it off. ‘I just study all the time,’ he said.” Telling Example: “He is a leader.” Showing Example: “When James walked away from the fight, his 20 friends followed close behind. When his best friend asked him why he didn’t fight, James calmly replied, ‘It’s just not worth it. Plus, I’ll be in trouble with my dad.’ ”
  1. Write your “telling sentence” on a separate sheet of paper.
  2. Begin writing a story based on that sentence. Don’t forget to “show, not tell” to convey mood, setting, character traits and the theme.
  3. Be sure to look at the example I’ve given you in the packet.
Be sure to look at the packet of examples I gave at the beginning of the work period in order to complete your homework.

11/7 Quiz & Intro to the Writing Process

On Friday, Nov. 7, students took their first quiz of the quarter on the lessons covered in the first week of school:
  • Dynamic Characters: main characters in a story; experiences changes throughout the story.
  • Static Characters: minor or background characters; they don't experience a lot of changes throughout the story.
  • Mood: feeling or emotions a reader gets from the story. The mood can be conveyed by the setting as well.
  • Setting: time, culture, historical period, and place in which the events of a story, poem or play take place
  • Theme: meaning, moral, message or overarching main idea of a story
  • Characterization: process of developing characters in your writing
  • Character Traits: attributes or distinguishing characteristics that define a character in a story.
  • Inference: judgment or conclusion made from evidence presented and prior knowledge
  • Metaphors: One thing that representing another; a symbol. Examples of metaphors: Love is a bee. | Their opinions will eventually collide. | Rug rat | Couch Potato | That joke is old.
  • Simile: Two essentially unlike things are compared, often in a phrase introduced by like or as Examples of similes: "Float like a butterfly, sting like a bee."
We then started our lesson on the writing process (from a great website called http://www.sasked.gov.sk.ca/docs/ela/writing01.html)
Step One: Prewrite
  • Learning the Prewriting Stage
  • Getting ready stage (Tompkins, 2000). This is the time for students to decide on a topic, and to gather and organize their ideas. Donald Murray (1982) suggests that 70% or more of the time for writing should be spent in pre-writing activities. For young writers, this phase is often centred upon a picture that students draw before they write. Older and more experienced writers consider and use a variety of prompts and frameworks to generate and organize their ideas. Some students may wish to explore their ideas through drafting, particularly those who are comfortable with writing as an exploratory process.
Step Two: Compose
  • Students and refine their ideas in a composition. Students are "encouraged to get their words and ideas on paper and attempt to spell whatever words they want to use" (Stice, Bertrand, & Bertrand, 1995, p. 216). Students often write on every other line of their papers and conventions such as sentence structure, punctuation, capitalization, and spelling are not stressed during this phase.
Step Three: Evaluate, Revise, Edit
  • Gives students an opportunity to take a second look. It is important that teachers understand the wide range of writing activity that falls within the general topic of revising. In some cases, revising might mean beginning a whole new draft, especially if writing the first draft has led the student in a new direction or given the student a new idea. In other cases, revising can mean refining the content, the organization (cut and paste), word choice, and sentence structure. It is important to teach students how to revise. They also can share their work with others and invite classmates to ask questions about the parts they want to know more about (e.g., What kind of cat was it?).
  • You may need to go through this step several times before moving to Step 4, the Publishing stage.
Step Four: Publish
  • Writing is presented in the final format.
  • Focus, content, organization, style, and conventions have been addressed somewhere in the previous four stages, and in the final copy. All of the characteristics should be evident in the final copy. This final copy should be clean and correct. Few errors, if any, should appear excerpted from this website.

Homework 11/7 11/10 11/12

11/7 Show Not Tell: Setting, Mood, Character Traits & Making Inferences
  • Take a line from a story you put on the board and write a story that uses setting, mood and character traits to tell the story.
  • Find or draw a photo or image to accompany your story and turn it in with the story.
11/10 Plot, Setting, Character, Theme
Write an autobiographical or fictional narrative (story) in first or third person.
  • This should not be a couple sentences long. This is a story you will be using to create your final project to end the Narrative Unit.
  • Be sure your plot, setting, characters and theme are developed.
  • Use descriptive writing.
11/12 Structure of a Good Story
  • You have now written an autobiographical or fictional narrative (story) in first or third person. Now you’ll need to Revise and edit your piece so that it reflects a good plot, setting, characters, conflict, resolution and theme.
  • Use the editing & proofreading guide given in class, revise and edit your work.
  • Pay close attention to:
  • Words, phrases, ideas that don’t make sense or could be said better another way.
  • Spelling, grammar and punctuation errors.

Thursday, November 6, 2008

OBJECTIVE
Students will analyze details that provide information about the setting and mood in order to demonstrate their ability to make inferences about specific character traits, culture, time, historical period and location.

Finish Reading "A Mother In Mannville" pg. 60 & complete the "Visualizing" worksheet
  1. What kind of place is this? does the author show, not tell?
  2. What kind of animals are in the story?
  3. How are people dressed and what might this tell you
  4. How about the historical period?
  5. What are some songs you might hear?
  6. What kind of transportation is there?
  7. Food?
Independent Writing (10 minutes)
Describe where you were, how you felt, what you heard and what you saw when you discovered Barack Obama was the new president of the United States.

What was the mood around you before and after you discovered that Obama won?

Characterization & Character Traits

Using the strategies practiced in class, complete the graphic organizer below.













Portion of the TextCharacter

Who is the character in the story?
Characterization

What does the character say, do, think?
Trait

What trait best describes the character? Why?
pg. 242 Paragraph 4: “I threw it on my brother’s bed and looked at it for a long time before I slipped it on and went out into the backyard, smiling a thank you to my mom as I passed her in the kitchen.”Gary Soto

  • tries on the jacket

  • sits on the bed, combs hair, attempts to look “normal” in the jacket

  • thinks the jacket is ugly

  • courteous to mother: “…smiles thank you to my mom as I passed her in the kitchen.”


Gary Soto is respectful. Although he did not receive the jacket he wanted, he still tried on the jacket and attempted to make it look decent on him. Instead of disrespecting his mother for not buying him the jacket he wanted, Gary “smiles thank you” to her and appears grateful for her purchase.


Other possible traits are:

  • thankful

  • tolerant

  • polite

  • dutiful


Setting & Mood

OBJECTIVES
  • Students will write descriptive stories that show and not tell in order to demonstrate their ability to make inferences.
  • Students will be able to analyze details in order to provide information about the setting and the mood created by the setting.
SETTING
(VIBE Magazine)Posted up in a service area just outside the ballroom, Lil’ Wayne stands off in a corner, by himself, leaning on a wall next to a rack of ice and soda machines. Through a set of double doors, 15 yards away, Wayne’s surrogate father and boss, Cash Money Records co-CEO Bryan “Baby” Williams, commands the crowd. As Baby prowls the stage, Wayne fires ad libs into a wireless mic from his perch in the hall then bounds up five metal stairs and into the spotlight—mic in hand, flashing his blinding grin.

CONFLICT
(By Edwidge Danticat)
I met a young woman who under questioning by a military officer was slapped until she became deaf in one ear, was forced to chew and swallow a campaign poster, and was kicked so hard in the stomach by booted feet that she kept slipping in and out of consciousness in a pool of her own urine and blood. Another woman had an arm chopped off and her tongue sliced in two before she was dumped in a mass grave, miles from her home.

CHARACTER DEVELOPMENT
(By Edwidge Danticat)
When I met these women, some time had passed since their ordeals. But they could still feel the hammering of the blows and hear the menacing voices, threatening to drown them, dismember them and set them on fire. The younger woman, Marie Carmel, remembers thinking about her mother. Manman will surely die if I'm killed, she thought. I have to stay alive for her. Alerte, whose arm and tongue were severed, kept thinking about her children as she climbed out of the corpse-filled pit and crawled to the side of the road where she found help. Both had no idea how much pain they could endure until then. They wanted to live, they remembered, to defy their torturers, to tell their stories.

In-Class Assignment
Use one of the telling sentences below to complete the writing assignment.
  • My room was a mess. (setting)
  • The atmosphere grew tense. (conflict)
  • He or She is athletic. (Character development)
Turn the telling sentence into a showing paragraph with examples and details.
Students must write a minimum of one paragraph, but NO MORE than two.
DO NOT use the telling sentence in the body of the paragraph.
USE the telling sentence as the heading.

GLOSSARY OF LITERARY TERMS
Setting: The main backdrop of the story where the story takes place. Elements of setting include time of day, location, historical period, culture, and geography.

Mood: the feeling you think about or feel when you listen to, watch, or read the story. The author’s choice of setting, objects, details, images, and words all contribute toward creating a specific mood. A vivid description of the setting can help you discern the mood of a story.

In Class Assignment
Language of Literature: A Mother In Mannville pg. 60

Active Reading & Visualizing

As you read the story, jot down details that help you visualize the setting of the story in the three seasons below.











Details About WinterDetails About SpringDetails About Autumn
“Sometimes in winter the snowdrifts are so deep that the institution is cut off from the village below, from all the world.”

Friday, October 31, 2008

Making Inferences to Create Character

OBJECTIVE
Students will define and graph character traits in order to write about a memorable character.

The Memorable Person (you’re going to write about)
  • Remember Paul Auster’s “He remembers” and “I remember”?
  • He wrote about himself as if he were another person.
  • What do you think about the character he created?
  • In the next two days, we’ll be working on character traits.
THE BLUES & “The Treasure of Lemon Brown”
By Walter Dean Myers
p.334


THINK ALOUD
As you read ask yourself connecting questions, visualize, predict:
What does the story make me think about?
What does it remind me of?
What was life like for Lemon Brown?
What does Lemon Brown mean when he says, “Every man got a treasure”? How might this relate to the theme of the story?

Tell me about the Characters, please.
Glossary of Literary Terms
Character traits:
unique attributes or characteristics of a character
Infer: to deduce, guess or reason
Inferences: to draw a conclusion or make a decision based on knowledge or evidence
Dynamic characters: Characters who change throughout the story
Static characters: Characters who remain the same throughout the story

Independent Writing

OBJECTIVE
Students will begin their independent writing routine.

QUICK REVIEW BEFORE YOU WRITE
Review your writing ideas from previous lessons.
Ask yourself if you’d like to use any of these ideas or use the process to create new ones.
Questions before you start?

REMEMBER TO....
Good writers write about familiar experiences and use them to write fiction (The Pigman) or autobiographical pieces (“The Jacket”).
Use details and descriptive language.
Use details and descriptive language.
Use details and descriptive language.

WRITE NOW!
  • If you have a writing topic, start now.
  • If you do not have a writing topic:
  • Look over your past entries in Sentence Explorations and Writing Explorations.
  • Take a deep breath.
  • Try to think of a topic one more time.
  • Okay, Okay. Raise your hand.

Creating Norms For Sharing Out


In the front of our classroom in Rm. 206 is a chair. That chair is where students share what they've written during Writers Workshop. The lesson below is where students took the time to create norms for themselves.

OBJECTIVE
Students will create norms for the readers/writers chair in order for sharing out in the chair to take place in a way that promotes a learning community where all are respected.

Guide For Responding to Author/Readers Chair & Critics
  • Provides tips for responding to the writer as a critic.
  • List will grow throughout the year as we move forward.
Students share out about what they expect as writers sitting in the chair and as critics sitting in the audience from their classmates.

Strategies of Good Writers
  • Writers choose subjects that have special meaning to them
  • Writers focus on the most important moments
  • Writers expand the moments and use the six senses (what they see, hear, smell, taste, feel and touch).
  • Writers tell about their lives in the first person
  • Writers create fictional characters based on their own memories.
Another Word For Your Glossary of Literary Terms p.171 (Writers Notebook)
Theme: a thought or idea the author presents to the reader that may be deep, difficult to understand, or even have a moral; Themes allow the reader to understand part of the author’s purpose in writing the book.

To do: Each time you read and write, ask yourself: The most important thing about this story is…

Close
We now have another artifact in the classroom listing what students will expect from each other as writers and critics. At some point, I'll take a photo of it and post it online.

Mimicking A Sentence Pattern

OBJECTIVE
Students will remain focused on one writing idea in order to expand their ability to create viable writing topics.

5-minute silent read
“The Book of Memory, Book Thirteen” by Paul Auster
Think About It: What might have inspired the writer to write this passage after his father passed away?

TOOLS YOU'LL BE USING

  • What were the effects of repetition in “The Book of Memory, Book of Thirteen” (“He remembers…”)?
  • As a reader, what are the differences between third person and first person narration?


YOUR ZOOM IN
Step 1 Create a new page in “Writing Explorations” of your Writers Notebook called
“Zooming In on a Moment”
Step 2 Zoom in on a moment from your "He/She Remembers" "I Remember" piece.
Step 3 Ask yourself Why does Auster use he instead of I for his list of memories?

Can You Borrow the Writing Technique Correctly?
from “The Book of Memory, Book Thirteen”, Paul Auster
First-Person Narrative
  • Make a new entry in the Writing Explorations section of your Writer’s Notebook: “I Remember: Mimicking Paul Auster”
  • Start writing an “I Remember…” of your own. You have only 10 minutes.
  • If you have trouble starting, turn to previous entries in your Writers Explorations section and your Sentence Explorations section.
  • When you finish writing, re-read your writing for spelling and punctuation.
  • First-person pronouns: I, we, us, our
Example: I remember a hospital bed and the doctor’s empty timelines. I remember my grandma’s pallid face and her lonely pinky wrapped in white gauze. I remember my granddaddy asking me to make a trip down the long, dusty graveled road for Grey Goose and cigarettes. I remember the thick laughter that followed, slow as dough kneaded by my mother’s hands.

Second-Person Narrative
  • What is a Third-Person narrative?
  • Turn to your Glossary of Literary Terms on page 171.
  • Third-person narrative: The participants in the narrative are distinct or separate from the person telling the story and the person who is reading it and who its being read to; perspective from the outside looking in; a story told as its happening to someone else.
  • Third-person pronouns: she, he, her, his, their, they
Take the Style & Use It!
  • Under your First-Person Narrative, skip two lines and write your First-Person narrative as a Third-Person Narrative.
  • Start writing a “He Remembers…” OR “She Remembers…” of your own. You have only 7 minutes.
  • When you finish: highlight or underline your favorite lines in both passages.
Example: She remembers a hospital bed and the doctor’s empty time lines. She remembers her grandma’s pallid face and her lonely pinky wrapped in white gauze. She remembers her granddaddy asking her to make a trip down the long, dusty graveled road for Grey Goose and cigarettes. She remembers the thick laughter that followed, slow as dough kneaded by her mother’s hands.

MIMICKING A SENTENCE PATTERN
Zoom In Strategy (Read Aloud/Think Aloud)
  • Is there a memory that may be a candidate for more writing?
  • Return and reread the Passage
  • Select a line where I have more to write because the memory is such a strong “photograph” in my mind.
Wide Angle: She remembers the thick laughter that followed, slow as dough kneaded by her mother’s hands.

Zoom In: She remembers her grandma’s voice like summer rain waking her from a deep slumber. She remembers climbing out of bed as the red fleece blanket slides slowly to the floor. She remembers her toes hitting the ice cold of the floor. She remembers her narrowed eyes twisting themselves into a smile as she listens to the conversations of adults in the kitchen. She remembers the smell of buttermilk biscuits wafting over her nose as the red Saturday morning sun rose its way into the breakfast sky.

SHARE OUT
  • Read the class your favorite line. (5 min)
  • What’s the difference between first-person and third-person?

What Should Be in Your Reader's Notebook

5p today marked the end of 1st quarter here in PG County. Here's what should be in your child's Readers Notebook so far since the midpoint of the quarter:

9/29 What emotions or feelings did you have while reading the text?
9/30 What is the setting of the text? Is the setting of the text important to your story? Why?
10/1 Does the setting remind you of a place you know? What is the place and how does it remind you of it?
10/2 What events are connected most to the setting? Why? OR What is an important event that occurs in the book? Where does it occur?
10/3 If you could take on the qualities of any character in the text, what qualities would those be? What character would they come from?
10/6 What would be the main character's response or take on the upcoming election?
10/7 How does the author let you know what the setting is?
10/8 Does the setting affect what the characters do or don't do? How?
10/10 Why did the author choose the narrator he/she did for the story?
10/13 Do you think the characters in your story are believable?
10/14 Give a summary of what happened in your story today.
10/15 Which character or characters do you think have learned the hardest lesson in the text? Why?
10/16 What idea image or situation meant the most to you as you read the text? Why?
10/20 What do you think will happen next in your book? Why?
10/21 If you could talk with thee author of this text, what would you ask him or her OR what would you comment on?
10/22 If you were going to recommend this text to someone, who would it be? What in this text would the person like?
10/23 What are your thoughts about the text so far? What in the text is causing those thoughts?
10/24 If you could take any passage and make it a play or skit what would it be? Why?
10/28 Does the setting make difference in how you view your characters? Why? Why not?
10/29 Choose your own dilemma?
10/30 What/who is the biggest problem facing the main character of your book right now?

On Memory

Researchers at the University of Otago in New Zealand discovered an important link between the ability to tell stories, memory and the way mother's tell their children stories. I'm really interested in this right now because in class, we're covering Features of a Good Story. Specifically, we're discussing how students can become great writers by: 1) telling stories with a lot of descriptive language and 2) using their ability to recall what they already know and merge it with what they're learning from reading to make inferences.

The study by the Department of Psychology researchers found that Māori mothers appear to talk with their children in richer ways about significant events involving them, such as their birth.

Study co-author Associate Professor Elaine Reese says discussing past events in richer detail during early childhood has previously been linked to children more effectively storing their early memories.

Link"This new study provides the first evidence that Māori children experience a richer narrative environment than New Zealand European children and that these rich stories transfer to children's storytelling skill," Associate Professor Reese says. Read Full Article

Friday, October 24, 2008

The Secrets of Excellent Writing…

OBJECTIVE
  • Students will continue borrow ideas from a writer (including their classmates) in order to discover writing ideas!
  • Students will identify features of a good story in order to write their own stories.
THE SECRETS OF EXCELLENT WRITING
Gary Soto’s writing technique: Think about an object, scene, character, or image from the past that sparks a strong memory. When you write, you should be painting an image with words.
Image: A strong picture, like a photo or painting, that a person associates with a particular person, event, subject.

ANOTHER WORD FOR YOUR GLOSSARY OF LITERARY TERMS
METAPHOR: A comparison of two nouns not using like or as suggesting a likeness or similarity between the two nouns.

SPARK YOUR CREATIVITY
When you are called on, respond with an event, idea or BRIEF story that the image reminds you of.


















STRONG IMAGES FROM "THE JACKET", by Gary Soto
When I needed a new jacket and my mother asked what kind I wanted, I described something like biker’s wear: black leather and silver studs with enough belts to hold down a small town. We were in the kitchen, steam on the windows from her cooking. She listened so long while stirring dinner that I thought she understood for sure the kind I wanted. The next day when I got home from school, I discovered draped on my bedpost a jacket the color of day-old guacamole. I threw my books on the bed and approached the jacket slowly, as if it were a stranger whose hand I had to shake. I touched the vinyl sleeve, the collar, and peeked at the mustard-colored lining.”

How does Soto make descriptive images?
  • Soto starts by recalling strong images from his adolescence.
  • Then, he turns the image into a title.
  • He allows the image in his mind (and the strong memories he associates with it) lead him as he writes.
  • The titles are the word “The” plus the name of the object, person, or subject. (“The Locket,” “The River,” “The Grandfather,” “The Promises,” “The In-Between Dinner Snacks,” “The Talk,” “The Concert”)
  • “The” + Noun or Phrase
STRONG IMAGES THAT MAY LEAD TO WRITING IDEAS
  • the socks
  • the long race
  • the starter earrings
  • the biggest spanking ever
  • the Waycross drive-thru

IN YOUR WRITER'S NOTEBOOK...

10/16/2008 Images That May Lead to Writing Ideas

  • List as many “The” + noun/phrase (“the spanking”) that bring strong memories to mind as you can. You’ll share out when the five minutes are over.
  • Use all of your time. I want to hear a long list.
  • Images=people, places, events, objects
  • Partner Share
    • Break into pairs.
    • Decide who goes first.
    • The first writer reads aloud his/her list of images.
    • The partner selects one image that’s especially interesting and asks the writer to tell the story behind the image.
    • Repeat the process.
    • Each partner is given 5 minutes to read and tell story.

    Next Steps
    • Review your list by scanning through what you wrote.
    • Circle or put a star, heart or check by the idea that you are most interested in writing about.
    • You don’t have to write about the idea your partners chose.
    • It’s all about you!

    15-Minute Quick Write
    • Once you’ve chosen your idea, skip 3 lines and begin a new entry in “Writing Explorations.”
    • Enter a date and heading using the image you’ve chosen (Example: “The Drive-Thru”)
    • WRITE! Remember, the details. Paint a picture by showing, not just telling us.

    WRITING & THINKING CRITICALLY

    1. Tell us WHY your story is important. All great stories have meaning and significance.
    2. Skip 2 lines and complete this sentence: The important thing about this story is…
    3. Re-read your notebook entries and notice whether or not you’ve been using any of these effective features in your writing.
      TAKE 2 MINUTES: Highlight or mark any places where you’ve used features of a good story.
      Volunteer to Read Aloud: Read an excerpt (a few sentences) from your piece and identify the feature you believe your writing illustrates.

    So, I saw this interesting article...

    I have received no word as to if this is happening in PG County or not, I just thought it was interesting in light of the fact that standardized testing for middle schoolers may now be more uniform than ever. There are some benefits and challenges to this model. It's independent reading time for my 3rd Mod, which will be wrapping up any minute now, so I'll have to discuss this later.

    College Board will offer eighth grade test next fall
    Group says it's for assessment, not college admission

    By SARA RIMER
    The New York Times
    Thursday, October 23, 2008

    Amid growing challenges to its role as the pre-eminent force in college admissions, the College Board on Wednesday unveiled a new test that it said would help prepare eighth graders for rigorous high school courses and college.

    The test, which will be available to schools next fall, is intended only for assessment and instructional purposes and has nothing to do with college admissions, College Board officials said.

    "This is not at all a pre-pre-pre SAT," Lee Jones, a College Board vice president, said at a news conference. "It's a diagnostic tool to provide information about students' strengths and weaknesses."

    The College Board, which owns the SAT and PSAT, made its announcement when an increasing percentage of high school students are taking the rival ACT and amid mounting concern over what critics call the misuses of the SAT and ACT and other standardized tests in college admissions.

    Those critics dismissed the new test for eighth graders as just what Jones said it was not: "a pre-pre-pre SAT."

    "Who needs yet another pre-college standardized exam when there is already a pre-SAT and the SAT test itself?" said Robert Schaeffer, the public education director of FairTest, a nonpartisan group that has called for colleges and universities to make standardized tests optional for admissions. "The new test will only accelerate the college admissions arms race and push it down onto ever younger children."

    The new test, called ReadiStep, can be completed within two hours and is divided into three multiple-choice sections of critical reading, writing skills and mathematics. It will cost less than $10 per student, College Board officials said, and schools and districts will pay for it. College Board officials described the test as voluntary and "low-stakes," and said the results would be shared only with teachers, parents, students and schools.

    Gaston Caperton, the president of the College Board, said the new test had been developed in response to the demand from schools and districts, which he said had requested a "tool that would help them determine before high school what measures should be taken to ensure that students are on the path to being college ready."

    Caperton and other officials refused to identify any of the schools and districts that had requested the test.

    OBJECTIVE
    Students will identify features of a story in order to generate topics for a good story.

    Another Word for Your Glossary of Literary Terms
    Simile: Comparison using “like” or “as”. Similes allow things to remain distinct in spite of their similarities. Examples: “arms feeling like braille”; “teeth chattered like a cup of crooked dice”; “girls who had been friendly, blew away like loose flowers”

    IN-CLASS WRITING ASSIGNMENT
    • In your “Writing Explorations” section: Describe an object or a place WITHOUT telling us what it is.
    • Name it: “Features of a Great Story”
    • When you finish, return and describe your object or place using similes for words like a lot, fat, pretty, beautiful, long, skinny, fat.

    BEFORE EXAMPLE
    Her hair was long and her legs were fat. That’s why they called her Pumpkin because of her legs. But it was her face that really made people pay attention. Her eyes were dark brown. Her lips were pretty.

    AFTER EXAMPLE
    Her hair was long like the Nile River and her legs her fat like a pumpkin. That’s why they called her Pumpkin because of her legs. But it was her face that really made people pay attention. Her eyes were like two dark brown almonds roasted to perfection. Her lips were like rose petals and it was as if God himself made her eyelashes.

    FEATURES OF A GOOD STORY

    My different mods all came up with different ideas about what makes a good story. While there were many consistencies, there were also a lot of different (and unique) opinions on what makes a story dynamite! Here are some of them:
    • Gets your attention right away.
    • Keeps you in suspense.
    • Uses words that makes the story seem real.
    • Situation and/or characters are real.
    • Characters talk like real people.
    • Story is funny.
    • Good description.
    • Good action!
    • Great ending.
    • The ending resolves all of the action and is final.
    • Makes you think!
    • Good descriptions that help you visualize.
    • The settings are anywhere in the world (or not)
    • Lots of drama (people arguing, fighting)

    THINK ABOUT IT
    •What are your favorite features of a good story? Why?
    •Do you see yourself developing as a writer? Why or why not?

    Homework 10/23

    You may take home your Writer's Notebooks and complete any work not finished in class.

    Wednesday, October 22, 2008

    I've been a little behind in posting...

    There bulk of the posts will arrive later on tonight. My laptop is acting up a little here at TJMS. Enjoy the rest of your day!

    Homework 10/20 & 10/21

    In at least one paragraph, describe one good or bad memory. Use descriptive words to SHOW your memory. A paragraph=5 to 8 sentences.

    Tuesday, October 14, 2008

    Summarizing the Plot

    OBJECTIVE
    Students will learn the defining elements of a summary in order to write a summary and present it to the class.

    Tellin’ Good Stories
    What are the qualities of a good story?
    • Start with summarizing the story to recall important details.
    • (Glossary of Literary Terms, pg 171) Summary: Process where a story’s sequence of events are identified. The main idea is to help listeners get the gist in a short period of time.

    When you summarize…

    • You’re talking about the plot!
    • (Glossary of Literary Terms, pg 171) Plot: the plan, scheme, or main story of a literary or dramatic work, as a play, novel, or short story; also called the storyline; the main conflict or main problem of the story
    • (Glossary of Literary Terms, pg 171) Imbroglio: an intricate, complicated plot

    YOU DO!
    1. Collaborate on completing responses to the five prompts for "The Jacket" and one other story.
    2. Be prepared to present your responses to the class.
    3. Write neatly & large enough for others to read from a distance.
    4. If you finish BEFORE time is called, you may draw caricatures or symbols to accompany your words.

    FIVE PROMPTS YOU NEED TO SUMMARIZE A PLOT
    Somebody:
    Who is the Main Character?
    Wanted: What does the main character want?
    But: What is the conflict? What/who is preventing the character from getting what he/she wants?
    So: What does the character do to solve the conflict?
    Then: How does the story resolve itself or end? How does the character move on?


    Writing Ideas from Reading

    From "My Name" by Sandra Cisneros:
    • Stories, thoughts about names and identity
    • Meaning of my name
    • Nicknames
    • Middle names
    • Reactions
    • Where you come from
    • Pronounciation of your name
    • How you felt receiving your name

    From "The Jacket" by Gary Soto:

    • Wanting something I can’t have
    • Parents' misunderstanding
    • Embarrassing moments
    • How people treat you
    • Past experiences
    • Being grateful or thankful
    • Respecting others

    Progress Report Update

    Progress reports are scheduled to be printed out by the system no later than tomorrow, Wed. Oct. 15. According to a school memo, there will be a letter sent home to parents explaining the matter.

    Monday, October 6, 2008

    Connecting to Memorable Quotations From "The Jacket"

    OBJECTIVE
    Students will make connections to texts as springboards for writing.
    CONNECTIONS
    Place the definition below in your Glossary of Terms on page 171.
    • First-person Narration: Narrator tells the story from their perspective as they see it using the first-person pronouns I, me, my, we.
    • When you finish copying the definition, turn to “My History As A Writer” to determine whether you conveyed your history in first-person.
    • Count how many first-person pronouns you used.

    IN YOUR WRITER'S NOTEBOOK
    As you grow as a writer, the Glossary of Literary Terms will be a resource you’ll use as a reference as your Writer’s Notebook grows.

    A CLOSE STUDY OF "THE JACKET"
    • As we read ask yourself:
    • What does this story remind me of?
    • What moments in the story remind me of moments in my life or someone else’s?
    • Which lines make me stop and think?
    • After we read, take 5 minutes to write phrases, dialogue or thoughts that come to you in the “Sentence Explorations” section of your Writers Notebook.
    • Be sure to date your entry!!!!!!!!!!!!!!!!

    In Your Writer's Notebook
    Quotations
    1. “When I needed a new jacket and my mother asked what kind I wanted, I described something bikers wear: black leather and silver studs with enough belts to hold down a small town.”
    2. “I touched the vinyl sleeve, the collar, and peeked at the mustard-colored lining.”
    Connections
    1. I never asked my mother for a biker’s jacket, but I did ask her for a mint green wool sweater with suede patches on the elbows—the patches on the elbows were all the rage when I was in high school. But she said we couldn’t afford it, and that money didn’t grow on trees.
    So…
    2. In the 5th grade, grandma gave me a ‘90s version of “The Jacket”: a pair of silver plastic ankle boots.

    Progress Reports Out Today!

    AMENDMENT: Due to technological malfunctions, Progress Reports will not be out today. When I know something about this, I will post it.
    Student progress reports will be given to your child today at Thomas Johnson.

    Check their progress report and ask them questions about their performance at school.
    Feel free to contact me here at Thomas Johnson MS and schedule a conference or have a conversation about how we can work together to support the goals you have for your child and the goals they have for themselves.

    My email address is erin.cooper@pgcps.org and the phone number here is 301.918.8680 x311.

    Wednesday, September 24, 2008

    How Do Writers Get Those Really, Really Good Writing Ideas?

    OBJECTIVE
    Students will practice borrowing writing ideas from a professional writer.

    ROUTINES & RITUALS REVIEW
    • Date each entry.
    • Write on both sides of the page.
    • DO NOT tear out pages.
    • Enter a title & date for each entry on the Table of Contents pages.
    HOW DO WRITERS DISCOVER IDEAS TO WRITE ABOUT?
    1. You get ideas for writing from making connections to your reading.

    2. Read Aloud/Think Aloud: I read "My Name" from The House on Mango Street by Mexican-American author Sandra Cisneros and relate it to my name's history. By modeling my story, students get an idea of the methods they should use when thinking about how to borrow an idea from a professional writer.

    Here's an excerpt from "My Name":
    In English my name means hope. In Spanish it means too many letters. It means sadness, it means waiting. It is like the number nine. A muddy color. It is the Mexican records my father plays on Sunday mornings when he is shaving, songs like sobbing.

    It was my great-grandmother's name and now it is mine. She was a horse woman too, born like me in the Chinese year of the horse--which is supposed to be bad luck if you're born female-but I think this is a Chinese lie because the Chinese, like the Mexicans, don't like their women strong.
    YOUR WRITERS NOTEBOOK
    • Open your writer’s notebook to your WRITING EXPLORATIONS area
    • Either go to the next page or skip 2 lines
    • Write today’s date on the left.
    • Begin a new entry titled, “My Name”, “My Friend’s Name” or “My Partner’s Name” OR make up your own title (i.e. “My Name or How Malcolm Little became an X”)
    • Be sure to post this in your Table of Contents and look at the Blackboard to ensure you are doing the activity correctly.
    QUICK WRITE STRATEGY
    When you quick write, you:
    • Write It! Write to get your ideas on paper.
    • Get Free! Let the thoughts flow.
    • Imperfection is a part of the perfecting process! Making mistakes and learning from those mistakes leads to perfection.

    First Writing Assignment: My History As A Writer

    Christen Your Notebook PART I
    Tell me anything about your history as a writer.

    • Memories of writing in school
    • Kinds of writing you like to do & don’t like to do
    • Favorites you’ve written
    • Writing in your 1st or 2nd language.
    • Add info that occurs to you as you write about your history as a writer.
    Christen Your Notebook PART II
    3 MINUTES
    Turn to your partner(s) and share your writing experiences with each other

    10 MINUTES
    Write about your writing experiences, your writing history.

    Get Loquacious!
    • Read your history to your partner(s)
    • Read aloud your history as a writer to the class.
    • Good experiences w/ writing?
    • Not so good experiences w/ writing?
    • English as a second language?
    • Nominate a partner w/ an interesting experience.

    Monday, September 22, 2008

    9/23 Setting Up Writer's Notebook


    1. On the Cover write:
    Writer’s Notebook
    Your Name
    TJMS
    Ms. Cooper
    Your A-Day Mod

    2. On the First Page:
    • VERY top of the page in the overhead margin write the title: TABLE OF CONTENTS
    • Top of Page, Left of title write: DATE
    • Top of Page, Right of title write: PAGE #
    3. On the First Page
    • Counting the TABLE OF CONTENTS page as Page One, write the roman numeral i (lower case) in the lower right-hand corner
    • Continue numbering pages (front and back) using roman numerals to page vi.
    4. On the 7th Page
    • At the top center of the page write: WRITING EXPLORATIONS
    • Write the number 1 (one) in the lower right-hand corner; continue numbering pages, front and back, to the end of of your composition notebook.
    5. On Page 125
    • At the top center of the page write: SENTENCE EXPLORATIONS
    6. On Page 171
    • At the top left of the page write the title: GLOSSARY OF LITERARY TERMS
    • To the right of the title write: See Entry
    • To the right of the See Entry heading, write: Page #
    7. Return to the Table of Contents Page & below the Table of Contents write:

    I. Writing Explorations 2
    II. Sentence Explorations 125
    III. Glossary of Literary Terms 171

    9/22 Introducing the Writer’s Workshop

    OBJECTIVE
    • Students will know what to expect from the daily Writers Workshop.
    • Students will set up a Writer’s Notebook.
    • Students will think about themselves as writers
    THE WRITERS WORKSHOP
    1. Teaches students how to excel in their writing
    2. Examples of writing from various genres allow you to learn/practice diff. writing styles and techniques
    3. Learn strategies for:
      • drafting first thoughts
      • trying out ideas
      • giving support
      • fine-tuning
      • publishing your best work
    Routines & Rituals
    Opening
    • Students quietly listen to instruction, participation in discussion
    • Teacher demonstrate/model techniques, strategies
    Independent Writing
    (2nd wk of Writer’s Workshop)
    • POLISH IT!
    • Practice specific strategies and apply rules of grammar, usage, sentence variety, transitions that will bring polish to your writing.
    Work Period
    (practicing/rehearsing)
    • Try strategies demonstrated during Opening
    • Students will first work alone, then w/ partners and/or groups
    Closing
    (share out)
    • Share work with the class
    • Share answers to problems
    • Author’s Chair
    • Informal Sharing
    • Homework

    9/20 Active Listening & Questions


    OBJECTIVES
    • Students will learn about the purpose and importance of being an active listener.
    • Students will generate a list of good listeners to reference when they are in large and small-group settings, which will help them practice good listening habits and maximize learning
    • Students will engage with the text by asking questions to understand the text being read.

    ACTIVE LISTENING
    My questions helped me think about:
    • action in the story and what might happen
    • what some of the words meant
    • how the character was feeling
    My questions made me want to:
    • discover more about this topic
    I listened to the story because:
    • I wanted answers to my questions
    • Some of my questions weren’t answered. I need to read more and find out.
    Think About It
    How did questioning help you understand your book?

    Thursday, September 18, 2008

    Small Groups


    Objective
    Students will understand and be able to apply the procedures for talking about the books they are reading.

    An Intro To Discussing Books
    • Everyone in the group should be able to see each other.
    • One person talks at a time.
    • All listeners look at the speaker.
    • When the speaker is finished talking, others share thoughts, ideas, questions, then the next student takes turn.
    How to Have Great Conversations About Texts
    1. Everyone in the group should be able to see each other.
    2. One person talks at a time.
    3. All listeners look at the speaker.
    4. When one speaker is finished, other students share their thoughts, ideas and ask questions.
    5. The next student takes a turn.
    6. Generate topics within the group.
    7. Be respectful.

    Think About It!
    • Practice listening respectfully and sharing information about any text you’re reading or one of the shared readings in your small group.
    • Be ready to share out.
    • Follow the expectations & be a model group!
    • What do you think of the experience?
    • How can this help you as a reader?

    Overview of 9/17: Re-reading, Reading Ahead & Using Context Clues to Decode words and ideas

    Shared Reading: Reading Ahead
    When critical readers encounter an unfamiliar word, they read ahead and return to re-read the sentence after figuring out the unknown word.

    Strategies Critical Readers Use to Solve Word Problems
    We notice if the words we read:
    • make sense
    • match the letters and sounds of the word in the text
    We use the context clues to solve a word problem.

    Strategies Critical Readers Use to Solve Meaning Problems
    • We solve problems by reading ahead
    • We predict & confirm as we read
    • We read with fluency so it sounds like talk
    • We read for punctuation clues so we read with fluency and phrasing
    • We re-read to maintain meaning
    I Do/We Do
    Ms. Cooper models how to use pictures, words, sentences and context clues to decode what the word and its definition could be.

    I used an article from USA Today's previous edition of an article on R&B star Ne-Yo. I decoded the words sartorial and spawned. Click here to read, "R&B Star Ne-Yo Flaunts His Gentlemanly Style".

    Students did the "We Do" portion of the class using a blog on the artist Kanye West Vibe.com called "Kanye West Has The Blues."

    They were to do a Think/Pair/Share for the words: livid, critique, contentious, barrage and momentum. During a Think/Pair/Share students divide into pairs or small groups and think for a minute about the problem, trying to create solutions alone. Then, they pair and discuss possible solutions. During the "share" they share out their answers with the rest of the class.

    When You Read
    • Look in your independent reading text for places where you decode an unknown word by reading ahead.
    • Think as you read.
    • Go back and re-read to understand.
    • Go back and re-read when your mind starts to wander or you begin to lose focus.
    • Occasionally stop and check-in to see if you remember what you read.
    Think About It!
    • Where was a place in your book where you used the “Reading Ahead” ot the “Re-Reading” strategy? How did this strategy help you read your book?
    • How did you work toward or maintain 3: The Standard in reading today?

    Monday, September 15, 2008

    Think About It!

    This is our closing, a time when students reflect on what we've covered during our 70 minutes of class time. Mainly they verbalize what they've learned about themselves as readers, reading strategies they will implement, areas they'd like to make improvements in and areas they're flourishing in as readers/students.

    Today's Think About It! is: What behaviors do you do well and what behaviors do you need to practice?

    Increasing the Ability of Students to Read Independently

    Objective: Students will be able to self-assess their personal independent reading habits.
    3: Meets the Standard (what all students should be striving for)
    • Focused on reading the entire time.
    • Read independently everyday.
    • Respect other readers by following rituals and routines.
    • Do your best and have all of your reading materials ready.
    • Read texts from a variety of genres & challenge yourself to read new genres.
    • Read with a purpose.
    • Record your reading progress daily in your Reading Log.
    • You use reading strategies from the Opening
    • You try to solve reading problems during
      independent reading time every day.
    2: Needs Revision
    • Focused on reading some of the time.
    • Read independently most of the time.
    • You respect other readers most of the time by following rituals and routines.
    • Most of the time, you work as hard as you can and have all of your reading materials ready.
    • You read texts from a few different genres.
    • You record your reading progress in your Reading Log most of the time.
    • Most of the time, you use reading strategies from the Opening to solve reading problems during independent reading time. Other times, you continue reading without fixing the problem.

    1: Needs Instruction
    • You have a hard time focusing on reading at all.
    • You hardly ever want to read independently.
    • You need teacher guidance to follow the rituals and routines and continue reading in class.
    • You only like to read texts from one or two genres.
    • You record your reading progress once or twice a week in your Reading Log.
    • You don’t spend much time practicing the reading strategies from the Opening.